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NQT's Collective reads and evaluates new play submissions, shares input on artistic programming, and supports NQT's year-round New Play Development and Mainstage programming.

Dena Igusti

Dena Igusti is a queer Indonesian Muslim playwright and poet. Alongside using playwriting and poetry to preserve archives of Indonesian and Southeast Asian diasporic migration in New York City, they use writing to highlight the importance of queer survivor advocacy and survivor-led initiatives that hold cultural, religious, and racially marginalized nuance. They have served as an advisory board member at Sahiyo and the FGM/C Advisory Committee for New York City Council. They have two poetry collections, ECDYSIS: CACOPHONY OF SKINS (Fourteen Poems, UK 2025) and CUT WOMAN (Game Over Books, US 2020). They are the co-playwright of the wish: a manual for a last-ditch effort to save abortion in the united states through theater (2023 A is For Winner, Miranda Family Fund Commission).They are the Inaugural NYFA Ryan Hudak Playwright Award Winner. Their work has been featured in BOAAT Press, Peregrine Journal, The Margins, and other publications. Their work has been produced and performed at LA Times, HERE Arts, The Brooklyn Museum, The Apollo Theater, Women Deliver, the 2018 Teen Vogue Summit, Players Theatre, The Public, and more. They have been featured in Business Insider, Teen Vogue, American Theatre Magazine, and more. They are a New York for Arts & Culture Resident Artist, Radical Dreamyard at Guggenheim Fellow, Asian American Arts Alliance Grant Recipient, NYFA Women’s Fund Recipient, NeXT Doc Fellow, Brooklyn Public Library Heritage Ambassador, Asian American Writers’ Workshop Open City Fellow, and more.

Esho Rasho

Esho Rasho is the child of an Assyrian-Iraqi refugee and an Assyrian-Lebanese immigrant. An actor and writer, he graduated from the BFA in Acting program at The Theatre School at DePaul University. He has worked with Steep Theatre, The Story Theatre, Annoyance Theatre, Silk Road Rising, About Face Theatre, Jackalope Theatre, & National Queer Theatre. His debut work was received with acclaim at The 2024 Edinburgh Festival Fringe and was also featured in The Chicago Reader and Playbill. Esho was commissioned for the national “Say Gay Plays” project, which was created by a collaboration with Voyage Theatre Company, About Face Theatre, and Silk Road Rising. eshorasho.com

Keng S. Meateanuwat

Keng S. Meateanuwat (เก่ง สัณหวิชญ์ เมธีอนุวัตร) is a Thai theatre director/writer/translator based in NYC. They taught acting/directing at Bangkok University for three years. They were a resident director at Bangkok University Theatre Company, where they directed and translated numerous plays. Recent directing credits include Dear Mr. C (Village Theater), What You Are To Me (NQT, HERE ARTS), Lungs (Life Studio, Bangkok), KHAM (ART/NY), Lanna Dream (The Den Chicago), The Adventure of Sky and Friends (New Victory Labworks), A Sisyphean Dream (Pan Asian Rep’s Nuwork 2023), and The Revolutionists (Heartland Theatre Company). Assistant directing credits include Transitional Love Stories (TheatreLab NYC), Sanctuary City (Seattle Rep), and Big Hunk O' Burnin' Love (Roundabout Theatre Company). 2022 National SDC Directing Fellowship Award and 2023 The John Cauble Emerging Producer/Leader Award from the Kennedy Center. 2023 The Drama League's Irene Gandy Directing Assistantship recipient. Leon Levy Foundation Roundabout Directors Group cohort 5. Keng’s adaptation, Walk to the Stars, is a semifinalist for the 2024 National Playwrights Conference at the O'Neill. 2025 The Drama League's Special Project Residency. Keng is also the Executive Director of Thai Theatre Foundation US. M.F.A. Directing: Illinois State University. www.kengsm.com Insta: @Keng_S_Meateanuwat

Lama El Homaïssi

Lama El Homaïssi (she/her) is a Lebanese actor, singer, writer, voice over artist and educator based in Brooklyn, NY. She immigrated from Beirut, Lebanon in 2017 to pursue an MFA in Musical Theater from Boston Conservatory. She completed a Post-Master’s Fellowship at Berklee College of Music with a focus on music and theatre career mentorship, and worked as an Assistant Dramaturg at American Repertory Theater before relocating to New York City post-pandemic.


Lama is an alumnus of the Joe’s Pub Working Group (2022-2023), the Safe Haven Incubator for Musicians: NYC (2022-2023), and the SPACE on Ryder Farm Institutional Retreat. She is currently developing an original solo show as a writer-in-residence in the 2025-2026 Artist Community Network, a program by Artistic Freedom Initiative.
Thanks to the generous help of these residency programs, Lama developed two new works: her play Radio Beirut, and her second cabaret show Not Harem Material, which made its U.S. premiere at Joe’s Pub in 2023.


Lama currently serves as a member of the Joe’s Pub Council of The Public Theater and is a member of the Arab American Theatre Coalition.

Shiro Kihagi

Shiro Kihagi is a Kenyan actor who has lived in NYC for 12 years; while she considers NYC her “for now” home, she is constantly left in awe of what this city has to offer and the unique people she gets to meet through her work in the arts and just being a local. Having worked with NQT in past productions (Waafrika 123, by Nick Hadikwa Mwaluko and Tomorrow Never Comes, by Jedidiah Mugarura), she has seen what impact this program has from the playwright’s, to actor’s, to audience’s experiences and knows that the stories shared are impactful and resonate across all cultures, genders, identities and communities. She is happy and proud to be part of the NQT Collective, where the commitment to give a voice and platform to those who are marginalized because of who they are or what they stand for, are at the forefront of what NQT does. Shiro is excited to collaborate, learn, commune and applause the artists who are part of this community and is grateful for this seat at the NQT Collective table.

Uma Paranjpe

Uma Paranjpe (she/they): Uma is an actor, playwright, and teaching artist from the SF Bay Area. She most recently appeared as Pi to close the Broadway run of Life of Pi at the Schoenfeld Theater. Additional selected credits: Off-Broadway: Short Stack (Ma-Yi), tango of a crumbling wall (Teatro Latea). Regional: Life of Pi (American Repertory Theater), Julius Caesar (Oregon Shakespeare Festival), Much Ado About Nothing (Oregon Shakespeare Festival), Nerve (Theatreworks Silicon Valley), A Midsummer Night's Dream (Catskill Mountain Shakes). Film: Beast (Tribeca New Voices), King Lahiri (Amazon Prime). Uma currently teaches at the Atlantic Theater Company in New York City, and out of her home in Brooklyn. BFA Musical Theatre: University of Miami. umaparanjpe.com | @superumapuma

clew

clew is an undefined quantity dreaming of the future that is most free. They are interested in resistance tactics, growing collective power, and throwing their hips in a circle. With a background in community engagement, disciplined delusion, and surviving PWIs, clew brings dogged imagination to their role as a trickster transcendent. Reject modernity and embrace cringe. Broadway: The Picture of Dorian Gray; Off-Broadway: american televisions. New play development @ National Queer Theatre, Breaking the Binary, Ars Nova, Clubbed Thumb, Yale Rep, and The Bushwick Starr. clew would love to play ninja or slaps with you, and hear about that thing you're working on. They endorse fighting when faced with fascism. Abolition Now and Free Palestine.

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